By Candice Shaughnessy, Special to the Sybaritic Singer “I’m poor.” If there was one line that defined my twenties, this was it. I …
Guest
in review: Claudia Friedlander’s “Complete Vocal Fitness”
By Ashley Emrick, Special to the Sybaritic Singer Complete Vocal Fitness: A Singer’s Guide to Physical Training, Anatomy, and Biomechanics …
in review: Underground System’s “What Are You”
By Cara Search, Special to The Sybaritic Singer On September 7, 2018, Underground System’s first full-length album, What Are You, hit the …
in review: Ken Thomson’s “Sextet”
Review by Megan Parsell, Special to the Sybaritic Singer Ken Thomson is a well-known musician and composer from Bang on a Can All-Stars and …
in review: Alexis Ffrench’s “Evolution”
By Anthony LaBat, Special to The Sybaritic Singer How do you begin to talk about an artist like Alexis Ffrench? As someone new to his …
Dispatches from New Music on the Point 2018
By James May & Cullyn Murphy, Special to The Sybaritic Singer In many ways, summer music festivals are largely the same. Student …
Dispatches from Bang on a Can 2018
By Cara Search, Special to the Sybaritic Singer “Bop,” “jam,” and “banger,” are the most coveted monikers of good music making at Bang on a …
Elizabeth A. Baker, Quadrivium: A Review
by Erin Marie Hoerchler, special to The Sybaritic Singer Elizabeth A. Baker refers to herself as “A New Renaissance Artist”, with a nod …
‘Whippersnapperism’ by Griffin Candey
Building Music that Thrives in Community 1. Staring Down the Barrel I recently turned 29, the mythic age that my mother maintained for a …