By Philippa Kiraly, Special to the Sybaritic Singer Picture a gathering place, with people drinking, eating, chatting in relaxed fashion, …
Megan Ihnen
in performance: Drama and Disillusionment in Seattle Opera’s Onegin
By Philippa Kiraly, Special to the Sybaritic Singer Seattle Opera’s Eugene Onegin is a lively, exciting, visually attractive, well-acted, …
in performance: Cappella Romana’s Hymns of Kassianë in Seattle
By Philippa Kiraly, Special to the Sybaritic Singer In the middle of the ninth century, a remarkable female composer flourished in …
in review: Matt Barbier’s “Platonic Solids” on Carrier Records
By Austin Franklin, Special to the Sybaritic Singer Matt Barbier’s first release comes to us in the form of a 10-track album released …
in performance: Seattle Opera presents “The Falling and the Rising”
By Philippa Kiraly, Special to The Sybaritic Singer The Falling and the Rising, a chamber opera commissioned by Texas Christian …
in performance: Efe Baltacigil shines in Angelique Poteat premiere
By Philippa Kiraly, Special to The Sybaritic Singer Angelique Poteat was 33 and an established composer when she wrote her Cello Concerto …
in performance: Music of Remembrance Continues to Confront Intolerance
By Philippa Kiraly, Special to The Sybaritic Singer Now starting its 22nd season, Music of Remembrance has broadened its mission to …
in performance: The Costa-Jackson Sisters at Seattle’s McCaw Hall
By Philippa Kiraly, Special to The Sybaritic Singer It isn’t rare to find musical siblings who perform together, whether they be piano …
in performance: Emerald City Music Performs Haas’ “In iij Noct.”
By Philippa Kiraly, Special to The Sybaritic Singer Appropriately for Halloween, Emerald City Music chose on Friday night at 315 Westlake …