By Philippa Kiraly, Special to The Sybaritic Singer The Falling and the Rising, a chamber opera commissioned by Texas Christian …
in performance: Efe Baltacigil shines in Angelique Poteat premiere
By Philippa Kiraly, Special to The Sybaritic Singer Angelique Poteat was 33 and an established composer when she wrote her Cello Concerto …
in performance: Music of Remembrance Continues to Confront Intolerance
By Philippa Kiraly, Special to The Sybaritic Singer Now starting its 22nd season, Music of Remembrance has broadened its mission to …
in performance: The Costa-Jackson Sisters at Seattle’s McCaw Hall
By Philippa Kiraly, Special to The Sybaritic Singer It isn’t rare to find musical siblings who perform together, whether they be piano …
in performance: Emerald City Music Performs Haas’ “In iij Noct.”
By Philippa Kiraly, Special to The Sybaritic Singer Appropriately for Halloween, Emerald City Music chose on Friday night at 315 Westlake …
in performance: Pacific MusicWorks performs Isabella Leonarda’s “Eternal Beloved”
By Philippa Kiraly, Special to The Sybaritic Singer Picture an innocent Soul, Anima, a young woman in virginal white in this performance, …
in performance: Seattle Symphony Stuns in Anna Clyne’s “Within Her Arms”
By Philippa Kiraly, Special to The Sybaritic Singer I’ve been to most of the Seattle Symphony’s programs this season, now a month old, …
in review: Haerim Elizabeth Lee’s “My Time is Now” on Innova Records
By Katie Heilman, Special to The Sybaritic Singer Violinist Haerim Elizabeth Lee and jazz pianist Alex Brown team up to create a new …
in performance: Seattle Symphony’s Two Requiems and a Funeral
By Philippa Kiraly, Special to The Sybaritic Singer Photo credit: James Holt / Seattle Symphony (used with permission) It was an unusual …