By Cara Search, Special to the Sybaritic Singer Stepping confidently into the minefield of socially corrective art history, British pianist …
Megan Ihnen
in review: Claudia Friedlander’s “Complete Vocal Fitness”
By Ashley Emrick, Special to the Sybaritic Singer Complete Vocal Fitness: A Singer’s Guide to Physical Training, Anatomy, and Biomechanics …
in review: Cristina Spinei’s “Mechanical Angels”
By Gary Ruschman, Special to the Sybaritic Singer It’s easy to get a premiere. It can even be easy to build momentum as a composer and get …
in review: Underground System’s “What Are You”
By Cara Search, Special to The Sybaritic Singer On September 7, 2018, Underground System’s first full-length album, What Are You, hit the …
in review: Ken Thomson’s “Sextet”
Review by Megan Parsell, Special to the Sybaritic Singer Ken Thomson is a well-known musician and composer from Bang on a Can All-Stars and …
in review: Alexis Ffrench’s “Evolution”
By Anthony LaBat, Special to The Sybaritic Singer How do you begin to talk about an artist like Alexis Ffrench? As someone new to his …
Dispatches from New Music on the Point 2018
By James May & Cullyn Murphy, Special to The Sybaritic Singer In many ways, summer music festivals are largely the same. Student …
Dispatches from Bang on a Can 2018
By Cara Search, Special to the Sybaritic Singer “Bop,” “jam,” and “banger,” are the most coveted monikers of good music making at Bang on a …
Dispatches from Mostly Modern Festival 2018
By Joshua Baerwald, Special to the Sybaritic Singer As we enter adulthood many of us are encouraged to surround ourselves with people …