by Katie Heilman, special to the Sybaritic singer In a time where live music is nearly impossible to make happen safely, Grammy …
Album Review
In Review: Osvaldo Golijov’s “Falling Out of Time”
by Philippa Kiraly, special to the Sybaritic Singer Prepared to be harrowed. Argentinian composer Osvaldo Golijov’s Falling Out Of Time is …
In Review: Quinsin Nachoff’s “Pivotal Arc”
By Alan Theisen, special to the Sybaritic Singer Quinsin Nachoff photo credit: Bo Huang Photography Quinsin Nachoff is no stranger to …
In Review: Edward Smaldone’s “Once and Again”
by Gary Ruschman, special to the Sybaritic Singer Edward Smaldone’s Once and Again features chamber music scores that have seen a tweak or …
In Review: Belinds Reynolds “Secret”
By Austin Franklin, special to the Sybaritic Singer San Francisco-based composer Belinda Reynolds latest release, Secret, is a …
In Review: Gyda Valtysdottir’s “Epicycle II”
By Daniel Ketter, special to the Sybaritic Singer Many Americans growing up in the 1990’s were first introduced to Icelandic music through …
in review: Minnesota Opera’s “Doubt”
By Ashley Emrick, special to the Sybaritic Singer Douglas J Cuomo’s opera based on John Patrick Shanley’s play Doubt tells the story of a …
in review: Sam Newsome’s “Sonic Journey: Live at the Red Room”
By Marcus Ballard, Special to the Sybaritic Singer In the late 1930s, American avant-garde composer John Cage began composing works for …
in review: Scott Miller’s “Ghost Layers” on New Focus Recordings
By James May, Special to the Sybaritic Singer Scott Miller is a veteran of his aesthetic. Over his career he’s developed a practice that …