By Austin Franklin, Special to the Sybaritic Singer The fifth full length studio album from Gold Bolus Recordings founder Dave Ruder, …
Album Review
In Review: Ras Moshe Burnett and Dafna Naphtali’s “Fusebox”
by Daniel Galow, special to the Sybaritic Singer Fusebox is a fitting title for the new album by saxophonist Ras Moshe Burnett and …
In Review: Lara Solnicki’s “The One and the Other”
by Michaela Wright, special to the Sybaritic Singer Composer, poet, vocalist, visionary. Lara Solnicki, lauded for her “spellbinding voice” …
In Review: Will Liverman’s “Dreams of a New Day: Songs by Black Composers”
by Ariel Andrew, special to the Sybaritic Singer Two words immediately came to mind while listening to Will Liverman’s latest album: Black …
In Review: Austin Franklin’s “Four Idols”
Editor's Note: Austin Franklin is the associate editor for The Sybaritic Singer. In our efforts to maintain internal integrity, Austin has …
In Review: Danielle Buonaiuto’s “Marfa Songs” on Starkland
By Hannah Rice, special to the Sybaritic Singer Marfa Songs is the debut album of soprano Danielle Buonaiuto, acclaimed for her “terrific …
In Review: Rising w/ The Crossing on New Focus Recordings
by Katie Heilman, special to the Sybaritic singer In a time where live music is nearly impossible to make happen safely, Grammy …
In Review: Osvaldo Golijov’s “Falling Out of Time”
by Philippa Kiraly, special to the Sybaritic Singer Prepared to be harrowed. Argentinian composer Osvaldo Golijov’s Falling Out Of Time is …
In Review: Quinsin Nachoff’s “Pivotal Arc”
By Alan Theisen, special to the Sybaritic Singer Quinsin Nachoff photo credit: Bo Huang Photography Quinsin Nachoff is no stranger to …