By Sam Crawford, special to the Sybaritic Singer Try Googling “grunge-cabaret songs” (yes, put it in quotes) and you’ll likely retrieve …
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In Review: Laura Strickling’s “Confessions” on Yarlung Records
By Mikeila McQueston, special to the Sybaritic Singer Both well-curated and well-crafted, soprano Laura Strickling and pianist Joy …
In Review: Rising w/ The Crossing on New Focus Recordings
by Katie Heilman, special to the Sybaritic singer In a time where live music is nearly impossible to make happen safely, Grammy …
In Review: Osvaldo Golijov’s “Falling Out of Time”
by Philippa Kiraly, special to the Sybaritic Singer Prepared to be harrowed. Argentinian composer Osvaldo Golijov’s Falling Out Of Time is …
In Review: Edward Smaldone’s “Once and Again”
by Gary Ruschman, special to the Sybaritic Singer Edward Smaldone’s Once and Again features chamber music scores that have seen a tweak or …
in performance: Drama and Disillusionment in Seattle Opera’s Onegin
By Philippa Kiraly, Special to the Sybaritic Singer Seattle Opera’s Eugene Onegin is a lively, exciting, visually attractive, well-acted, …
in performance: Tom Cipullo’s “The Parting” in Seattle
By Philippa Kiraly, Special to the Sybaritic Singer Twice a year, Seattle’s Music of Remembrance presents a thought-provoking concert of …
in performance: Why have we not heard George Walker’s music before?
By Philippa Kiraly, Special to the Sybaritic Singer We’ve been deprived. For years. Thursday night, the Seattle Symphony gave the …
in performance: Owens & Brownlee Recital; Joyce DiDonato’s “Songplay”
By Philippa Kiraly, Special to The Sybaritic Singer Three superb opera singers, two concerts in two days. Wow! Seattle’s Benaroya Hall …