We recently had the opportunity to speak with Augusta Read Thomas, Andrew Nogul, and Sam Pluta about the release of the first album, …
In Review: Osvaldo Golijov’s “Falling Out of Time”
by Philippa Kiraly, special to the Sybaritic Singer Prepared to be harrowed. Argentinian composer Osvaldo Golijov’s Falling Out Of Time is …
In Review: Quinsin Nachoff’s “Pivotal Arc”
By Alan Theisen, special to the Sybaritic Singer Quinsin Nachoff photo credit: Bo Huang Photography Quinsin Nachoff is no stranger to …
In Performance: LOL’s Concert of Telepresence
By James May, Special to the Sybaritic Singer If there’s any consistent theme to the realities of COVID-19, “forced adaptation” is likely …
In Review: Edward Smaldone’s “Once and Again”
by Gary Ruschman, special to the Sybaritic Singer Edward Smaldone’s Once and Again features chamber music scores that have seen a tweak or …
In Review: Belinds Reynolds “Secret”
By Austin Franklin, special to the Sybaritic Singer San Francisco-based composer Belinda Reynolds latest release, Secret, is a …
In Review: Gyda Valtysdottir’s “Epicycle II”
By Daniel Ketter, special to the Sybaritic Singer Many Americans growing up in the 1990’s were first introduced to Icelandic music through …
6 Questions RE: Sonic Spark Sings
The American Composers Orchestra's newest video educational series, Sonic Spark Sings, explores the songwriting process. This series …
in review: Minnesota Opera’s “Doubt”
By Ashley Emrick, special to the Sybaritic Singer Douglas J Cuomo’s opera based on John Patrick Shanley’s play Doubt tells the story of a …