by Michaela Wright, special to the Sybaritic Singer Composer, poet, vocalist, visionary. Lara Solnicki, lauded for her “spellbinding voice” …
Austin Franklin
In Review: Will Liverman’s “Dreams of a New Day: Songs by Black Composers”
by Ariel Andrew, special to the Sybaritic Singer Two words immediately came to mind while listening to Will Liverman’s latest album: Black …
In Review: Meaghan Burke’s “A Few Concerns”
By Sam Crawford, special to the Sybaritic Singer Try Googling “grunge-cabaret songs” (yes, put it in quotes) and you’ll likely retrieve …
In Review: Laura Strickling’s “Confessions” on Yarlung Records
By Mikeila McQueston, special to the Sybaritic Singer Both well-curated and well-crafted, soprano Laura Strickling and pianist Joy …
In Review: Danielle Buonaiuto’s “Marfa Songs” on Starkland
By Hannah Rice, special to the Sybaritic Singer Marfa Songs is the debut album of soprano Danielle Buonaiuto, acclaimed for her “terrific …
In Review: Rising w/ The Crossing on New Focus Recordings
by Katie Heilman, special to the Sybaritic singer In a time where live music is nearly impossible to make happen safely, Grammy …
6 Questions RE: Grossman Ensemble and Fountain of Time
We recently had the opportunity to speak with Augusta Read Thomas, Andrew Nogul, and Sam Pluta about the release of the first album, …
In Review: Osvaldo Golijov’s “Falling Out of Time”
by Philippa Kiraly, special to the Sybaritic Singer Prepared to be harrowed. Argentinian composer Osvaldo Golijov’s Falling Out Of Time is …
In Review: Quinsin Nachoff’s “Pivotal Arc”
By Alan Theisen, special to the Sybaritic Singer Quinsin Nachoff photo credit: Bo Huang Photography Quinsin Nachoff is no stranger to …