By Philippa Kiraly, Special to The Sybaritic Singer Colorful national dress identified quite a few members of the large Asian presence at …
in review: Florescer (Bloom) from pianist and composer Rebecca Hass
By Austin Franklin, Special to The Sybaritic Singer “Florescer” is the debut album of Minnesotan pianist and composer, Rebecca Hass. …
in performance: Minnesota Opera’s Playful “Italian Straw Hat”
By David Dies, Special to The Sybaritic Singer MN Opera Photos by Cory Weaver There are many aspects of Nino Rota’s The Italian Straw …
in review: Samantha Ege’s “Four Women”
By Cara Search, Special to the Sybaritic Singer Stepping confidently into the minefield of socially corrective art history, British pianist …
in review: Claudia Friedlander’s “Complete Vocal Fitness”
By Ashley Emrick, Special to the Sybaritic Singer Complete Vocal Fitness: A Singer’s Guide to Physical Training, Anatomy, and Biomechanics …
in review: Cristina Spinei’s “Mechanical Angels”
By Gary Ruschman, Special to the Sybaritic Singer It’s easy to get a premiere. It can even be easy to build momentum as a composer and get …
in review: Underground System’s “What Are You”
By Cara Search, Special to The Sybaritic Singer On September 7, 2018, Underground System’s first full-length album, What Are You, hit the …
in review: Ken Thomson’s “Sextet”
Review by Megan Parsell, Special to the Sybaritic Singer Ken Thomson is a well-known musician and composer from Bang on a Can All-Stars and …
in review: Alexis Ffrench’s “Evolution”
By Anthony LaBat, Special to The Sybaritic Singer How do you begin to talk about an artist like Alexis Ffrench? As someone new to his …