The diva life is one that looks graceful, easy, and fun on the outside but looks like a lot of work when up close. 29 Days to Diva is all about getting to work and making your own opportunities. Any singer can fly by the train of her gown for a while, but a diva needs planning, organization, and systematic follow-up to ensure she is getting the gigs that will propel her career. Every phone call you make and every email you write can lead to your next gig. Including booking sessions in your daily administrative work will increase your bookings exponentially.<\/p>\n
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Booking gigs through email can be an effective way for musicians to secure performance opportunities at venues. We want the momentum from these booking sessions to act like compounding interest. Compounding interest is the interest that you earn on interest. Now, change which definition you’re using of interest to the feeling of wanting to give your attention to something or of wanting to be involved with and to discover more about something. You will use these scripts to familiar and new presenters to build name recognition and establish yourself in the local\/regional performance scene. That buzz will help you get gigs on top of other gigs. You are aiming for various opportunities during these booking sessions which include both auditions and performances. Remember, I want you to optimize for both time freedom and financial freedom in your diva life. Having a gig-getting system will be an important key for both.<\/p>\n
Do you know all of the possible performance venues in your area? Begin by researching and identifying venues that are suitable for your genre of music and target audience. Look for venues that have a history of hosting live music events and have a size and vibe that align with your music style. Start filing your venue information forms away for performance spaces in your immediate area first. Then, branch out and keep adding forms for regional locations. Traveling for an upcoming gig? Add some venue forms to your folder for that area. If you are able to think outside the box, there is no limit to the potential performance spaces available to you.<\/p>\n
Look for the appropriate contact person at each venue. This is often the talent buyer or booking agent. Check the venue’s website, social media pages, or online directories to find contact information such as email addresses or phone numbers.<\/p>\n