\u201cBut if musical identity is, then, always fantastic, idealizing not just oneself but also the social world one inhabits, it is, secondly, always also real, enacted in musical activities. Music making and music listening, that is to say, are bodily matters; involve what one might call social movements. In this respect, musical pleasure is not derived from fantasy \u2013 it is not mediated by dreams \u2013 but is experienced directly: music gives us a real experience of what the ideal could be.\u201d \u2013 Simon Frith<\/a><\/p><\/blockquote>\n
This week’s #musochat topic: Identity in New Music<\/h1>\n
We use music, specifically new music, to shape our individual identities and help us belong to a communal identity. For my turn as #musochat host on Sunday, August 23rd at 9PM EST\/8PM Central, the questions will revolve around that topic in concept, practice, and development. (Click to tweet)<\/a><\/em> \u201cMusic is neither ‘simply a social and political category’ nor ‘a vague and utterly contingent construction’ but ‘remains the outcome of practical activity: language, gesture, bodily significations, desires.’\u201d\u00b9<\/a> I cannot wait to read your thoughts. I hope you will join me.<\/p>\n
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Some ground rules:<\/h2>\n